Conversations in Management

Jim Timon

               

     People just love to be immersed in a frightening Halloween experience. They love giving up that control.

 

Jim Timon has it almost right. He’s the Senior Vice President of Entertainment at Universal Orlando and knows quite a bit about scaring people on Halloween. Since 1990, Universal has been turning its popular theme park into Halloween Horror Nights every October. Timon is responsible for raising the bar on horror every year to keep the folks coming back for their fright fix. Starting in December he assembles a six-member team to conceptualize innovative ways of driving average folks out of their minds with fear. By February the team will grow to 100 as sets, props, and costumes are designed. When May rolls around, 500 craftsmen will be bringing the designs to life and the “prosthetics department” will be working overtime. In September a thousand people will be hurriedly building the park’s full sized haunted houses and complex mazes. Later in the month, thousands more will audition for costumed roles as “scareacters.” These are the folks who’ll go beyond special effects and personalize the horrors. This year, Timon’s efforts produced four stage shows, five scare zones, one “terror tram” and four mazes featuring such loveable characters (I mean, scareacters) as Freddy Krueger, Jason and Leatherface.

While all this might seem like a lot of work, it’s definitely worth it for the parks. Since Knott’s Berry Farm started the trend in 1973, it’s been joined by over 5,000 other organizations seeking to cash in on the nation’s second most popular holiday. For many parks, it can be a make or break proposition. It’s not uncommon for attractions to earn up to 15 per cent of their annual revenues during the Halloween season alone. For an industry that’s recently seen declining sales, there’s nothing frightening about the $500 million in gate receipts that are projected for this year.

Universal Orlando’s long-running success with Halloween Horror Nights is a sure indication that they’ve got it right when it comes to scaring people. It’s the psychology of the scare that they haven’t quite figured out. When folks spend thirty minutes in line for a six minute dart through a creepy maze, they aren’t giving up control, they’re asserting it. The very thing that makes it possible for everyone to actually enjoy Halloween is the knowledge that none of the horrors are real. When you go into the haunted house, you know with certainly that you aren’t going to actually run into a knife-wielding Freddy Krueger or a chain saw-slinging Leatherface. The scares are fun because the dangers are illusory. We know going in that we’ve volunteered to be horrified. The big scare may make us feel like we’ve lost control but we know that we’re very much in charge (despite the possibility of some transitory though potentially embarrassing lapses).

The manufactured frights of Halloween Horror Nights are a lot like the things that give us a start the rest of the year. Sometimes a legitimate scare comes along, but most of the time the things that rattle us have to do with the changes that go along with the general business of daily living. These changes can often make us feel that things are spinning out of our control when, in fact, we’re still completely in control. We may have to make minor adjustments and get used to new situations, but not much has really changed. This Halloween season remember that when confronted by change, assert—don’t relinquish—your control. Things aren’t as scary as they seem.

                                                                        —Ebert

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